Heidi Holmström


soon/now/




5/2025 Please RSVP,  Den Haag  (NL)

9/2025 PADA Studios (PT)





quite recent:


4/2025 @Sunnyside.site Helsinki (FIN)

2025 / ...CIER at SÍM  (ISL)


2025 /  @a_milli_space
now-soon-later (ISL)


2025 / SÍM nordic baltic
programme funded by NCP



2025 ‘a Big Stitch’  @StudijaSpace AiR (LVA)











< Exhibition views >




works:


Scores on a cold ground 1,2,3  2.0 @Sunnyside.site


Blade Pitch scores 1,2,3 2.0 @Sunnyside.site


Hot & Cold Conference @SIM


A Big Stitch @Studija AiR


A Beaten Path @HetResort


A test-site: Pin protest @HetResort


50Hz Conference Call 


Water Wings; Topohilia towards the surfaces 


Blade pitch scores 1,2,3,4,5,6,7,8,9,10 @Billytown



Scores on a cold ground 1,2,3 @Billytown 


Polaris @West Den Haag basement 


‘Instead of cigarettes I buy translucent tableware’ 


Weather like language part of Phatic Utterances


‘a meeting on the 2nd floor’ w Baroeg Mulder  part of Phatic Utterances


hear----from----you---soon. part of Phatic Utterances 



a temporary placement part of Ponte d’arte 


7 halos 


Automatic autobiography 









 










































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soon/now/

4/2025 @Sunnyside.site Helsinki (FIN)

5/2025 Please RSVP,  Den Haag  (NL)

9/2025 PADA Studios (PT)


quite recent:

2025 / ...CIER at SÍM  (ISL)

2025 /  @a_milli_space
now-soon-later (ISL)

2025 / SÍM nordic baltic
programme funded by NCP


2025 ‘a Big Stitch’  @StudijaSpace AiR (LVA)
Hear----from----you---soon----

(2023)

re-forming sound installation based on phatic phrases

Spatial installation consisting of syllables from phatic utterances like ‘hear from you soon’ , ‘see you soon’ , or ‘let’s get a coffee sometime soon’ forms an abstract score of these rhytmic phrases without a necessary bond for authenticity. These phrases are actually left in an open space as surface-like gestures. Each sentence listed on the floor, it forms a code for phrases that don’t necessarily mean anything to the one who receives them. Accompanied with a hollow sound loop of generated recordings of clapping rhythms of these sentences, it loops in the space with reverb, activating these white wooden blocks to be the scoring for this composition, like piano keys.

Upper three rows of these phatic utterances of the installation were re-formed each day of the duration of the exhibition , based on the phrases heard in the audience. If there was no new phatic phrases, no new row were formed.












listen a glimpse of the audio <here>
Part of duo-show Phatic Utterances w Baroeg Mulder @Dambruggestraat 356 (BE)


Photos by Baroeg Mulder